March 26, 2015
New Internationalist
Hot on the heels of its much-lauded predecessor
comes The Reason Why Vol 2, from Swedish
trumpeter Goran Kajfeš and a tight band of heavy woodwind
and loud electric guitars.
Kajfeš, whose parents immigrated to Stockholm from
Croatia, is a classically trained jazz musician and the disciplined
playfulness of this background is manifest here in glorious
fashion. In fact, this album is so playful in its sonic swerves
that the listener can be wrong-eared as Kajfeš makes a point of
collapsing numerous sonic worlds and genres in on themselves.
The name of the band – Subtropic Arkestra – suggests as
much in its homage to the cosmic jazz of Sun Ra and to the
mélange that makes up Brazilian tropicália. So, there are
hints of Ennio Morricone on the ultra-smooth brass, flute and
organ lines of ‘Adimiz Miskindir Bizim’ while the dub-heavy
beats of the ‘Dokuz Seki/Esmerim’ make you wonder if a piece
of 1970s Turkish kitsch hasn’t been fed through a reggae
studio. All this is intentional. The latter is an instrumental
that slams together two separate pieces: one by contemporary
Turkish jazz drummer Okay Temiz and the other an
overwrought song from the 1970s Turkish group Beyaz
Kelebekler. Vol 2’s instrumentals may use the raw material of
other musicians – they form ‘the reason why’ – but its results
are inimitably its own.